- andpoetic thatdeals with the Love and the Reason, sources of harmonyin the individual and on thesociety; the
night, dreams anddeath, the pessimismof
returningto emptiness.
Theessential themesof his poetryare God, Love,Justice, Fraternity, Death,Lonelinessand Emptiness.
Historical period in literature: Modern literature, Romantic period
The impact of Amor de Perdição
The novel
Novelcomposedin 1861by CamiloCastelo
Branco, during the timethe
authorwas arrestedfor adultery
in Oporto. It has been written based on
anactual episodein the life ofhis uncle, Simão Botelho, that would have beentold him byanaunt. However,
Camilo’s manipulation and fictionare sofree, that converted the novel into themost famous sentimental novelof
Portuguese Romanticism. The plot isultra-romantic: the protagonists,
Simão andTeresa, sons oftwoenemy
familiesof Viseu, the BotelhosandAlbuquerques, fall in love. On
Baltasar Coutinho’s advice, cousin and promised to Teresa, Tadeu de Albuquerque
decides to send the daughter to the Monchique’s convent, in Oporto. Simão is waiting for themoutsideViseu, confronts Baltasar and kills himby shooting, surrendering immediately to
justice. Arrested in Oporto, he is sentenced to exile.
When
embarkingfor India, Simão can stillglimpsehis beloved, whosays goodbye tohim,almostdying, worn out by
misfortune. Hours later,Simãobecomes aware of thedeath ofTeresaand diestoo.
Thegenuinecharacterof the novel, that breaks withromanticconventionality,
is, however, Mariana, a good and selfless
girl, who, feeling anabsolute loveforSimãoand
hopeless,acts as intermediarybetweenSimão andTeresa, deciding tojoin himin
exile andkill herselfafter his
death, embracinghisdead bodythrown overboard.
Besides
thepassionate
andtragicstory, where love, hate and revenge,in its manynuancesappear,
according to some scholars Camilo also intended to do a social
criticism, namely report the society’s blind obedience to the obsolete prejudice of family honor.
The movie
Amor de Perdição has been adapted in 1978 into a movie directed by Manoel de Oliveira, who won the Jury's Special Award at the Festival of Figueira da Foz.
Main cast was composed of: Adelaide João; António Sequeira Lopes; Cristina Hauser; Elsa
Wallencamp; Duarte de Almeida; Henrique Viana; Lia Gama; Manuela de
Freitas; Ruy Furtado.
Pedro Bandeira Freire and Manoel de Oliveira and an excerpt.
Initiatorof Romanticism, refounderof Portuguese theater, creator ofmodernlyricism,
creator of modern prose, journalist,
politician, legislator,Garrettisa realexample
of the inseparablealliancebetween political manandwriter,citizen and poet.
Enthusiastic supporter of Liberalism that in the
nineteenth century radically transforms the Portuguese society, Garrettwasa Portugueseinterventivein variousfacets of life.
He
is considered bymany authors asthemost
completePortuguese writerof the
nineteenth century, since heleft
usmasterpiecesin poetry,
drama and prose, innovating writingand compositionin each of these literary
genres.
Garrettwas alsothe major driving forceof the theaterin PortugalfromRomanticism.
It washe who proposedthe building of theTeatro NacionalD.MariaII andthe establishment of theConservatory. The
situation of theaterin the countryhas been radicallyaltered by the
presenceof Garrett. He managed
tochange the foundationsof the
theater which began to be associated with the concerns of a society
better and better literate and attentive.
Literary work rich in different genres
Camões is a poem
writtenin 1825whichis
attributed tothe beginningof
Portuguese Romanticism.
Althoughscarce,the novelistic workofGarrettstands out for theoriginality.As Viagens na Minha Terracan be consideredthe firstPortuguesemodern narrativeusing an informalstyle,
in permanent dialogue withthe reader,
theauthor presentsin the manner
ofStern, amasterpiece ofintellectualirony; under the pretext ofatravel’s chronic, offers a comprehensiveand lucidrepresentationof the actual time.
Frei Luís de Sousa
is the largestPortugueseromantic drama, written by Garrettand oneof the bestplaysof Portuguese
literature. It wasfirst
performedin 1843 andpublished
in the following year.
Folhas
Caídas is the
last and mostimportant work ofGarrett, publishedanonymouslyin
1835, and the best work ofPortugueseRomantic poetry.